![]() ![]() G4-4 allows most defects to an unlimited extent, as long as the piece of wood remains intact, which means that the wood can be handled without falling apart.ĭefects that may be present to an extensive but not unlimited extent are wane, checks and deformations.Ī small amount of soft rot is permitted. Grade G4-4 is suitable for low quality formwork and packaging. Note This grade is sometimes the highest to which spruce is sorted, which means that it will contain G4-3 or better. Extensive deformations are also permitted, as are knot holes. This grade allows defects that greatly affect the appearance in terms of both size and number, including decayed knots, bark-encased scars, blue stain, firm rot, through checks, wavy grain and top rupture. Grade G4-3 is suitable for applications such as lower quality decking and sheathing, plus packaging wood. Note This grade is often the highest to which spruce is sorted, which means that it will contain G4-2 or better. Blue stain, firm rot, wavy grain and top rupture are also permitted to a small extent. Grade G4-2 permits defects that affect the appearance to a greater extent, such as bark-encased scars, pitchwood and decayed knots. In addition, the grade can be used in the form of dimension planed spruce for wall studs in non-load-bearing internal walls. Grade G4-2 is also suitable for higher quality decking and sheathing. Grade G4-2 is suitable for applications such as exterior cladding with a knotty structure. Note This grade is sometimes the highest to which wood is sorted, which means that it will contain Grade G4-1 or better. Small encased knots are also permitted, but not decayed knots. Planed spruce is often this grade.ĭefects that affect the appearance to some extent, such as bark-encased scars and reaction wood, are permitted. Grade G4-1 applications include high quality interior and exterior cladding with small knots. The grade is attained primarily by the side yield of butt logs. It is very uncommon for spruce to have Grade G4-0. A few small sound and dead knots are permitted but no encased or decayed knots. High quality, where defects that affect the appearance to a large extent, are not permitted. Grade G4-0 is suitable for planed wood for interior joinery and internal mouldings. Properties that affect the function of the wood, such as deformations, are also assessed. Dead knots, for example, are judged more harshly than sound knots. The aim of the grading is, instead, to sort wood in terms of its appearance. Wood sorted in line with SS-EN 1611-1 is not intended for load-bearing structures. Table 17 Timber gradesĬommon wood products with appropriate appearance grades and wood types.ĭescription of appearance grades in line with SS-EN 1611-1 G2 entails 2-sided visual sorting and is rarely used in Sweden. A rough comparison with Grading of Sawn Timber is given in table 18, page 62. A grade can thus have the designation G4-2, which means a 4-sided visual sorting of typical construction timber, corresponding to CLASS V, Fifths, in the Grading of Sawn Timber system. The grading designations are followed by a number from 0–4 stating the quality of the wood, with 0 as the highest quality. In these cases, the grades are called G4 and G2 respectively. Standard SS-EN 1611-1Īccording to standard SS-EN 1611-1 Sawn timber – Appearance grading of softwoods, the grading may be performed on the faces and the edges or only on the faces. The other main grades are CLASS V (Fifths), CLASS VI (Sixths) and CLASS VII, which has low quality requirements. CLASS U/S is one of the main grades, comprising unspecified proportions of sub-classes OS I – OS IV. The sawn timber is sorted into seven classes, designated I–VII. It is based on the Nordic Timber Grading Rules for Pine and Spruce Sawn Timber and the European standard SS-EN 1611-1 Sawn timber – Appearance grading of softwoods. Grading of Sawn Timber is a grading regulation established in 2020. However, among timber merchants and when describing wood grades used in construction, for example in the AMA Hus and VilmaBas databases, grading mostly follows the European standard for appearance grading of softwoods, SS-EN 1611-1. The wood is shown in the dimensions: 25x100, 50x150 and 75x200 mmĪt the Swedish sawmills, the wood is usually graded using the rules on appearance grading set out in Grading of Sawn Timber. It is thus not designed to take account of the wood’s use, for example in joinery, construction or packaging. The grading of wood is a general process based on appearance. The grade is then marked on the packaging. planing or resawing, these marks may be cut away or hard to identify. This allows the graded quality to be checked along the chain from the sawmill to the retailer. It is common for each piece of wood to be stamped on the end with a shipping mark. The parameters are assessed in visual sorting, known as appearance grading. ![]()
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![]() ![]() But he almost always has two stories to tell: one for his kid, and one for the missus. One of the greatest boons of adventuring with his lady Xuan Zang is the great tales he's able to bring back home to his family. The wiki was originally founded on the wikifarm Gamepedia in May 4, 2018, in preparation for the release of Dragalia Lost on September 27 that same year. You think it's just gratuitous porn and then BAM you're feeling things in that chest of yours Dragalia Lost Wiki is an independent wiki hosted by Elaeagnifolia and serves as the wiki for the 2018 mobile game Dragalia Lost, published by Nintendo.big bara beefcakes appreciate the housewife.you literally can't resist lewding this beefcake I tried so hard.ReduxCath Fandoms: Dragalia Lost (Video Game) As of the game's third anniversary, however, a shift in battle content, multiple system reworks, new characters, and bosses have things looking very different. In the past, things were pretty consistent. Based on advice from her grandfather, she seeks to achieve greatness by challenging a thousand warriors, but is now so skilled that none dare face her in combat. The Dragalia Lost tier list has been tossed on its head following a big shift in end-game content. Tamamay_Fox Fandoms: Dragalia Lost (Video Game)Ī series of fics for #dragaliaprideweek! Now completed so tags and categories are final!īased on the prompts from: Language: English Words: 17,416 Chapters: 7/7 Comments: 12 Kudos: 25 Bookmarks: 1 Hits: 615 Yachiyo Rarity 4 Rarity 5 3D Model Description A glory-seeking samurai who speaks an old dialect. On hiatus Language: English Words: 67,460 Chapters: 17/34 Comments: 7 Kudos: 19 Bookmarks: 4 Hits: 692 He needs a tutor, but lucky for him, he's living with someone who can help. ![]() After receiving a horrible grade on his first term paper, Curran gets a harsh wake up call that college isn't just about parties and girls. Curran is outgoing, always ready to party, and a bit of a playboy while Heinwald is more introverted and devoted to his studies. Alternate Universe - College/UniversityĬurran is eager to start the best four years of his life at the University of New Alberia, but he and his roommate, Heinwald couldn't be more different.Creator Chose Not To Use Archive Warnings.Choose Not To Use Archive Warnings, No Archive Warnings Apply.Orphan_account Fandoms: Dragalia Lost (Video Game) ![]() ![]() ![]() Not unlike Mati Diop’s Mille soleils, Haroun’s Bye Bye Africa (99) explores expatriation, longing, and film history, but takes place during the ascendance of Nollywood in the late Nineties when traditional film theaters were being closed across the entire continent. Savaged by censors during its original release (according to Pabst’s editor, the theater owner insisted on cuts after opening night), it had been unavailable in anything close to a complete form in the years since.Īlmost as habitually under-viewed by mass-audiences are the films of Mahamat-Saleh Haroun, the Chadian-born director who has lived in France since 1982 and who received a complete retrospective this year. ![]() Pabst’s The Joyless Street (25) also played to a packed house, again with the accompaniment of the Matti Bye Ensemble. The very next evening, the restored 149-minute version of G.W. Blending elements of tragedy and humor, as well as featuring mountaintop stunts performed by-as director Pawel Pawlikowsi put it-“some fat actor,” the lost eight-reeler achieved a sophistication most contemporary films could only hope to attain. When the widow’s brother-in-law, an unsavory lawman, comes to arrest the thief, she rejects her life of comfort and flees into the mountains with her lover. In Sjöström’s story set in 18th-century Iceland, a thief seeks employment at a wealthy widow’s farm, and soon enough, they fall in love. The Outlaw and His Wife, which was accompanied live by the impressive Matti Bye Ensemble, is not just uniquely beautiful (as noted by both the Cahiers critics and Louis Delluc) but an engaging story that goes far beyond its titular premise. Judging from the audience’s reaction to von Bagh’s declaration, it was clear that the film projections weren’t some quirky bonus, but the way things should be. Introducing a restoration of Victor Sjöström’s Swedish silent The Outlaw and His Wife (18), von Bagh said that digital restorations were “destroying film culture.” These sentiments are echoed in the festival program’s brief cover note, which concisely (and passionately) argues against conflating digital with eternal. In this cinephilic spirit, if something was shot on film, it was screened on film. (The standout: Jovan Jovanović and Mika Milošević’s Kolt 15 GAP, a 1971 documentary whatsit powered by Stanoje Cebic’s Lenny-Bruce-meets-socialist-pioneer-leader-meets-schizophrenic-street-preacher performance.) Having just experienced the extended tedium of SXSW-which privileged parties, promotional gimmicks, Lady Gaga, and app launches over film-I found Midnight Sun not just refreshing but edifying, as members of the press, filmmakers, locals, and groups of visiting students camping out in tents could all rub shoulders and rejoice in the pleasures of the medium. I followed that cinematic feast with a pancake-wrapped soja makkara, a beer, and a program of mind-blowing Yugoslavian Black Wave shorts from Oberhausen’s archive, co-programmed by FC’s European editor Olaf Möller and Oberhausen programmer Lars Henrik Glass. On my final afternoon at the festival, I watched Alice Rohrwacher’s sweet, luminous second feature, The Wonders, in a peculiarly appropriate circus tent, then trotted some 500 feet to Sodankylä’s singular film theater to catch Gleb Panfilov’s mannered but impressive 1983 television adaptation of Maxim Gorky’s Vassa. With 24 hours of Arctic sunlight and screenings running nearly round the clock, you really don’t have an excuse to sleep. Nestled among ancient forests, the five-block-wide town of Sodankylä boasts intimate, easily accessible venues that allow you to drift from one fantastic film to the next without any pesky downtime. Founded in 1986 by Aki Kaurismäki, Mika Kaurismäki, and critic/filmmaker Peter von Bagh, the festival (which ran June 11 to 15) features a mix of up-and-coming filmmakers, retrospectives of underappreciated and established directors, obscure genre surveys, and contemporary Finnish cinema. The Midnight Sun Festival in Finland defies the see-it-first mandate that guides so much programming and critical response, but without being a mere exercise in cinephilic nostalgia. ![]() ![]() Drag and Drop Imagesĭrag and Drop an image file onto the new preferences image area to use your own image for your TextBar item.Īnd numerous other fixes and improvements You could use use this as a simple script runner :-). You can now assign a shortcut key to a TextBar Item so you can quick refresh it. It is intended for personal backups only. The old Import/Export mechanism is still available for backups of your configured TextBar Items, but this does not include any file contents. If in doubt, use the new file picker to select a script file - this will work with the new export mechanism. Otherwise it'll require any used files to be available on the other system. If it is, it'll automatically include the contents of the file. Note: The Export mechanism tries to detect if the script is a file. I'm hoping to create a TextBar Items webpage at some point, for now email them to me or create a PullRequest and I'll add them to this page. Use the new Export button to save and share TextBar items with other TextBar users! ![]() New Preferences UIĬomplete re-written Preferences UI to make to easier to add and edit TextBar Items. Improvements to control in Prefernces > Advanced Added native support for Proxy Configuration in Prefernces > Network Note: This example uses HTML for MenuBar and HTML for Popover. TextBar can show HTML in your menubar - to give you ultimate control / customizability. Please submit them and I'll include them here :). ![]() Note: Requires accessing in your Safari web browser to approve access first. TextBar has an internal charting format to show charts in your MenuBar. But, as I've only recently released v3 it seems simpler to keep the v3 prefix. TextBar v3.2 has major new features over v3.1. If you would like to donate that would be very much appreciated. But, TextBar Mac licenses work with all versions of TextBar v1, v2 and v3 - there is no upgrade fee for v3. TextBar requires a license (after the 7 day trial period). Please submit pull-requests so that I can add your ideas/scripts. ![]() ![]() Please have in mind that in this example we're reducing the quality of the file, not the image dimensions. We can go further and create a smaller file size by adjusting the percentage in the same command via: convert test.jpg -quality 30% test-30p.jpg This is going to reduce the image's quality by 50% and deliver a 938.4 KB <= (Note: KILOBYTES, not even a Megabyte) filesize. This is what we need to do in order to "compress" an image. Let's now play with some other ImageMagick convert commands in order to create smaller file sizes: convert test.jpg -quality 50% test-50p.jpg This is going to convert the high definition PNG format into a "compressed" JPG format, which by itself is a smaller file! It goes from 9.5 MB to 2.4 MB.īut, 2.4 MB is yet a big file size. So, let's drop the next in a terminal: convert seminario-tabloide.png test.jpg So, how can I use this image in a website, without waiting years in order to upload and waiting some other years in order to show it in my website? The file should be compressed.Īnd when we talk about "compression" we explicitly need to change it's quality in order to make it usable for the case we are facing. So that's a different scenery which I won't cover in this explanation. Nevertheless, the image size and grid resolution is really useful for a high definition printing. In the file properties window we can see this is a 9.5 MB file, which will delay a lot to upload and will delay a lot in order to render on screen when published in a website. High Definition Pictures, with resolutions over 1024px may have a big file size. Let's first understand what a "lightweight picture" should be. ![]() The pictures should be batch compressed, preferably via a GUI.The picture MUST be "compressed" in order to lose file size but not "rezised" as refered by another user who pointed to a duplicated on this question JPG batch compression & rename (find -exec, xargs, piping?).Let's understand what the answer need to solve: Many of the answers seems to refer to other things, mostly caused because of -probably- they haven't faced such scenery. Which won't affect if we were working in a local testing production environment. ![]() Let's face that Web designers, Web developers and/or Web masters need to "compress" our image files in order to make them enough "lightweight" to be quickly uploaded to our hosting if we're working directly on a real production environment. All trademarks, brands, and names are the property of their respective owners.The "compression" word seems to be misinterpreted in this question, but it's yet valid depending on the context you wish to see this. The term lzop is a shorthand for "the Lempel-Ziv-Oberhumer Packer" and holds no connection with potential owners of registered trademarks or other rights. lzop does not delete the input file(s) by default.files compressed by lzop will have the suffix `.lzo'.The main differences between lzop and gzip are: General functionality and behaviour has been modelled very closelyĪfter gzip. reasonable drop-in compatibility to gzip. ![]() speed (both compression and decompression).Lzop was designed with the following goals in mind: You can both decrease storage requirements and effectively reduce Is usually IO-bound and not CPU-bound, which means that On modern systems, when making backups of terrabyte of data, lzop Lzop is one of the fastest compressor and decompressor around. Lzop is copyrighted OpenSource software distributed under the Speed (at the cost of some compression ratio). Lzop is a file compressor which is very similar toĬompression library for compression services, and its mainĪdvantages over gzip are much higher compression and decompression Happy 20th Anniversary Release! (Aug 2017) Abstract ![]() ![]() ![]() PVDISPLAY - The pvdisplay command will give you detailed information about each physical volume, under which volume group it is, the unique ID, and the size available. Each command will give you a different output. To check the list of physical volumes, you can run any of the following commands. Physical volume "/dev/sdd" successfully created. Physical volume "/dev/sdc" successfully created. Sample output: Physical volume "/dev/sdb" successfully created. $ sudo pvcreate /dev/sdb /dev/sdc /dev/sdd To initialize any disk as physical volume, use the pvcreate command, with the device name as the argument. Sample output: NAME MAJ:MIN RM SIZE RO TYPE MOUNTPOINT I have added three disks with different sizes and it totals 10G. Either run all the commands as root user or with sudo privilege. Heads Up: LVM commands require root privilege. If you are learning LVM for the first time, do your testing on any virtual machine. I am using the Ubuntu server running in virtualbox for demonstration. Let us get started with Linux LVM commands. Think of this as equivalent to a standard disk partition.Įnough with the basics. ![]() LOGICAL VOLUMESįrom the pool of space (Volume Group) you can create logical volumes. From the volume group, you can create logical partitions. Volume group will hold 5TB of space which is the space available from all the physical volume. You will first initialize the five disks as physical volume and then add them to the volume group. Let's say you have five separate disks with a size of 1 TB each. Volume group is the combination of all the physical volume. It can be an entire disk or standard partitions created from that disk. To put it in simple terms, if you wish to work with LVM, your disk should be initialized as the physical volume. Physical volume is the first layer of abstraction LVM uses to identify the disk tagged for LVM operations. LVM uses three layers of abstraction to create partitions. LVM provides an abstraction of layer between the physical storage and the file system, enabling the file system to be resized, span across multiple physical disks, and use arbitrary disk space.
![]() ![]() It can be fun to hack around, certainly, but it doesn't share the same sense of accomplishment as navigating the levels themselves. It's possible to take out enemies with any of the three heroes, and it's definitely satisfying to drop something on a skeleton's head as the wizard when possible, but timing and necessity often dictate switching to the knight and flailing away with his sword to clear some space if you don't want to die. While Trine's platforming elements brim with possibilities, its combat feels more lacking in variety. If, however, you just want to plow through and solve every problem by stacking magic boxes like Gandalf's Moving Co., things likely won't be as much fun. It's also useful to find different ways of achieving goals as characters can get axed along the way and won't return until you hit a checkpoint (although these are often generously distributed). These kinds of players, in turn, are often rewarded by finding more experience points and treasures to upgrade the characters. Having multiple options will be most rewarding for those who like to explore and experiment. This rarely seems like a deal-breaking detriment, though. You might stack up some of the wizard's boxes and planks to get somewhere, or use the thief to grapple onto a moving platform instead - maybe even both! Everything for the most part flows smoothly when moving about, although once in a while the physics when controlling a character can feel a bit off, especially when jumping up against a platform. They take the shape of physics-based playgrounds, where there's more than one way to get from point A to point B. The “puzzle" elements of Trine are often not really the kind that have one set, planned solution. ![]() ![]() This game is a blast, and setting it up is almost as much fun as playing it! I always prefer to let players make their own rules for this game because it keeps them interested while they wait for their rules to be used. The person who destroys the tower loses and must consume a full beer as a result. Players alternate eliminating blocks from the pinnacle and putting them on top. Make sure that all of the blocks in the tower are facing down so that no one can see which rule they will get before they do. Make sure each piece has a rule written on it before the game starts. The basic premise of the game never changes, but different rules can be used to play it! You must consume alcohol if you damage the building. The objective of the game is to stack blocks without falling over the tower. ![]() ![]() Jenga is a drinking game that can be played with a gathering. There are 52 distinct blocks, each with its own unique challenges, actions, or just funny twists. Before you begin putting together your drunk Jenga, you must first gather the values of your 52 cubes. This way, you have no idea what action you’ll pull from the tower. The side of the cube that contains the action is placed face-up when it is assembled. On one side of the block, these actions are colored. However, you must first decide on the hilarious rules and actions for your drunk Jenga before you can set it up. Typically, a different rule will be written on each block, such as “Drink one,” “Girls drink,” and “Never have I ever,” among others.Īll that is expected for the Jenga Drinking Game requires the exemplary Jenga game and a couple of sharpie markers. A copy of Jenga and a little imagination are all you need to play this drinking game of Jenga. A pen (if you want to get fancy, use multiple colors)ĭrunk Jenga combines two very complementary activities: drinking and attempting to avoid disaster.You only need a 52-piece Jenga set and some alcoholic beverages to play. The astonishment of falling blocks is increased by multiple folds if you’re two shots down. Read on to find out how to make a traditional Jenga game into a drinking game! You can modify the game’s rules to make it even more engaging. A game of jenga can get you trippy like none other. Falling blocks and drinks in your hand make it appear more fun. ![]() |
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